Juliette was only fourteen years of age when her father sent her one day to the house of a Venetian nobleman, Marco Muazzo, with a coat which he had cleaned for him. He thought her very beautiful in spite of the dirty rags in which she was dressed, and he called to see her at her father's shop, with a friend of his, the celebrated advocate, Bastien Uccelli, who; struck by the romantic and cheerful nature of Juliette still more than by her beauty and fine figure, gave her an apartment, made her study music, and kept her as his mistress. At the time of the fair, Bastien took her with him to various public places of resort; everywhere she attracted general attention, and secured the admiration of every lover of the sex. She made rapid progress in music, and at the end of six months she felt sufficient confidence in herself to sign an engagement with a theatrical manager who took her to Vienna to give her a 'castrato' part in one of Metastasio's operas.
The advocate had previously ceded her to a wealthy Jew who, after giving her splendid diamonds, left her also.
In Vienna, Juliette appeared on the stage, and her beauty gained for her an admiration which she would never have conquered by her very inferior talent. But the constant crowd of adorers who went to worship the goddess, having sounded her exploits rather too loudly, the august Maria-Theresa objected to this new creed being sanctioned in her capital, and the beautfiul actress received an order to quit Vienna forthwith.
Count Spada offered her his protection, and brought her back to Venice, but she soon left for Padua where she had an engagement. In that city she kindled the fire of love in the breast of Marquis Sanvitali, but the marchioness having caught her once in her own box, and Juliette having acted disrespectfully to her, she slapped her face, and the affair having caused a good deal of noise, Juliette gave up the stage altogether. She came back to Venice, where, made conspicuous by her banishment from Vienna, she could not fail to make her fortune. Expulsion from Vienna, for this class of women, had become a title to fashionable favour, and when there was a wish to depreciate a singer or a dancer, it was said of her that she had not been sufficiently prized to be expelled from Vienna.
After her return, her first lover was Steffano Querini de Papozzes, but in the spring of 1740, the Marquis de Sanvitali came to Venice and soon carried her off. It was indeed difficult to resist this delightful marquis! His first present to the fair lady was a sum of one hundred thousand ducats, and, to prevent his being accused of weakness or of lavish prodigality, he loudly proclaimed that the present could scarcely make up for the insult Juliette had received from his wife--an insult, however, which the courtesan never admitted, as she felt that there would be humiliation in such an acknowledgment, and she always professed to admire with gratitude her lover's generosity. She was right; the admission of the blow received would have left a stain upon her charms, and how much more to her taste to allow those charms to be prized at such a high figure!
It was in the year 1741 that M. Manzoni introduced me to this new Phryne as a young ecclesiastic who was beginning to make a reputation. I found her surrounded by seven or eight well-seasoned admirers, who were burning at her feet the incense of their flattery.
She was carelessly reclining on a sofa near Querini. I was much struck with her appearance. She eyed me from head to foot, as if I
had been exposed for sale, and telling me, with the air of a princess, that she was not sorry to make my acquaintance, she invited me to take a seat. I began then, in my turn, to examine her closely and deliberately, and it was an easy matter, as the room, although small, was lighted with at least twenty wax candles.
Juliette was then in her eighteenth year; the freshness of her complexion was dazzling, but the carnation tint of her cheeks, the vermilion of her lips, and the dark, very narrow curve of her eyebrows, impressed me as being produced by art rather than nature.
Her teeth--two rows of magnificent pearls--made one overlook the fact that her mouth was somewhat too large, and whether from habit, or because she could not help it, she seemed to be ever smiling. Her bosom, hid under a light gauze, invited the desires of love; yet I
did not surrender to her charms. Her bracelets and the rings which covered her fingers did not prevent me from noticing that her hand was too large and too fleshy, and in spite of her carefully hiding her feet, I judged, by a telltale slipper lying close by her dress, that they were well proportioned to the height of her figure--a proportion which is unpleasant not only to the Chinese and Spaniards, but likewise to every man of refined taste. We want a tall women to have a small foot, and certainly it is not a modern taste, for Holofernes of old was of the same opinion; otherwise he would not have thought Judith so charming: 'et sandalid ejus rapuerunt oculos ejus'. Altogether I found her beautiful, but when I compared her beauty and the price of one hundred thousand ducats paid for it, I
marvelled at my remaining so cold, and at my not being tempted to give even one sequin for the privilege of making from nature a study of the charms which her dress concealed from my eyes.
I had scarcely been there a quarter of an hour when the noise made by the oars of a gondola striking the water heralded the prodigal marquis. We all rose from our seats, and M. Querini hastened, somewhat blushing, to quit his place on the sofa. M. de Sanvitali, a man of middle age, who had travelled much, took a seat near Juliette, but not on the sofa, so she was compelled to turn round.
It gave me the opportunity of seeing her full front, while I had before only a side view of her face.