第54章 Chapter 18(3)

Within lay the body, robed in costly habiliments covered with gold embroidery and starred with scintillating gems. The decaying head was black with age, the dry skin was drawn tight to the bones, the eyes were gone, there was a hole in the temple and another in the cheek, and the skinny lips were parted as in a ghastly smile! Over this dreadful face, its dust and decay and its mocking grin, hung a crown sown thick with flashing brilliants;and upon the breast lay crosses and crosiers of solid gold that were splendid with emeralds and diamonds.

How poor and cheap and trivial these gewgaws seemed in presence of the solemnity, the grandeur, the awful majesty of Death! Think of Milton, Shakespeare, Washington, standing before a reverent world tricked out in the glass beads, the brass earrings, and tin trumpery of the savages of the plains! Dead Borromeo preached his pregnant sermon, and its burden was: You that worship the vanities of earth--you that long for worldly honor, worldly wealth, worldly fame--behold their worth!

To us it seemed that so good a man, so kind a heart, so simple a nature, deserved rest and peace in a grave sacred from the intrusion of prying eyes, and believed that he himself would have preferred to have it so, but peradventure our wisdom was at fault in this regard.

As we came out upon the floor of the church again, another priest volunteered to show us the treasures of the church. What, more? The furniture of the narrow chamber of death we had just visited weighed six millions of francs in ounces and carats alone, without a penny thrown into the account for the costly workmanship bestowed upon them! But we followed into a large room filled with tall wooden presses like wardrobes. He threw them open, and behold, the cargoes of "crude bullion" of the assay offices of Nevada faded out of my memory. There were Virgins and bishops there, above their natural size, made of solid silver, each worth, by weight, from eight hundred thousand to two millions of francs, and bearing gemmed books in their hands worth eighty thousand; there were bas-reliefs that weighed six hundred pounds, carved in solid silver; crosiers and crosses, and candlesticks six and eight feet high, all of virgin gold and brilliant with precious stones; and beside these were all manner of cups and vases and such things, rich in proportion. It was an Aladdin's palace. The treasures here, by simple weight, without counting workmanship, were valued at fifty millions of francs! If I could get the custody of them for a while, I fear me the market price of silver bishops would advance shortly, on account of their exceeding scarcity in the Cathedral of Milan.

The priests showed us two of St. Paul's fingers and one of St. Peter's;a bone of Judas Iscariot (it was black) and also bones of all the other disciples; a handkerchief in which the Saviour had left the impression of his face. Among the most precious of the relics were a stone from the Holy Sepulchre, part of the crown of thorns (they have a whole one at Notre Dame), a fragment of the purple robe worn by the Saviour, a nail from the Cross, and a picture of the Virgin and Child painted by the veritable hand of St. Luke. This is the second of St. Luke's Virgins we have seen. Once a year all these holy relics are carried in procession through the streets of Milan.

I like to revel in the dryest details of the great cathedral. The building is five hundred feet long by one hundred and eighty wide, and the principal steeple is in the neighborhood of four hundred feet high. It has 7,148marble statues, and will have upwards of three thousand more when it is finished. In addition it has one thousand five hundred bas-reliefs. It has one hundred and thirty-six spires--twenty-one more are to be added.

Each spire is surmounted by a statue six and a half feet high. Everything about the church is marble, and all from the same quarry; it was bequeathed to the Archbishopric for this purpose centuries ago. So nothing but the mere workmanship costs; still, that is expensive--the bill foots up six hundred and eighty-four millions of francs thus far (considerably over a hundred millions of dollars), and it is estimated that it will take a hundred and twenty years yet to finish the cathedral. It looks complete, but is far from being so. We saw a new statue put in its niche yesterday, alongside of one which had been standing these four hundred years, they said. There are four staircases leading up to the main steeple, each of which cost a hundred thousand dollars, with the four hundred and eight statues which adorn them. Marco Compioni was the architect who designed the wonderful structure more than five hundred years ago, and it took him forty-six years to work out the plan and get it ready to hand over to the builders. He is dead now. The building was begun a little less than five hundred years ago, and the third generation hence will not see it completed.

The building looks best by moonlight, because the older portions of it, being stained with age, contrast unpleasantly with the newer and whiter portions. It seems somewhat too broad for its height, but maybe familiarity with it might dissipate this impression.

They say that the Cathedral of Milan is second only to St. Peter's at Rome. I cannot understand how it can be second to anything made by human hands.

We bid it good-bye now--possibly for all time. How surely, in some future day, when the memory of it shall have lost its vividness, shall we half believe we have seen it in a wonderful dream, but never with waking eyes!