第196章 XXIX.(2)
- The Lady of the Shroud
- Bram Stoker
- 985字
- 2016-03-02 16:37:30
I may now confess, however, that the employment, though attended with great pleasure, was not without its doubts and anxieties. Alady, to whom I was nearly related, and with whom I lived, during her whole life, on the most brotherly terms of affection, was residing with me at the time when the work was in progress, and used to ask me, what I could possibly do to rise so early in the morning (that happening to be the most convenient to me for composition). At last I told her the subject of my meditations;and I can never forget the anxiety and affection expressed in her reply. "Do not be so rash," she said, "my dearest cousin.[FN#2]([FN#2] Lockhart says: "The lady with whom Sir Walter Scott held this conversation was, no doubt, his aunt, Miss Christian Rutherford; there was no other female relation DEAD when this Introduction was written, whom I can suppose him to have consulted on literary questions. Lady Capulet, on seeing the corpse of Tybalt, exclaims,--'Tybalt, my cousin! O my brother's child!'")
You are already popular,--more so, perhaps, than you yourself will believe, or than even I, or other partial friends, can fairly allow to your merit. You stand high,--do not rashly attempt to climb higher, and incur the risk of a fall; for, depend upon it, a favourite will not be permitted even to stumble with impunity." I replied to this affectionate expostulation in the words of Montrose,--"'He either fears his fate too much, Or his deserts are small, Who dares not put it to the touch To gain or lose it all.'
"If I fail," I said, for the dialogue is strong in my recollection, "it is a sign that I ought never to have succeeded, and I will write prose for life: you shall see no change in my temper, nor will I eat a single meal the worse. But if Isucceed, 'Up with the bonnie blue bonnet, The dirk, and the feather, and a'!'"Afterwards I showed my affectionate and anxious critic the first canto of the poem, which reconciled her to my imprudence.
Nevertheless, although I answered thus confidently, with the obstinacy often said to be proper to those who bear my surname, Iacknowledge that my confidence was considerably shaken by the warning of her excellent taste and unbiased friendship. Nor was I much comforted by her retraction of the unfavourable judgment, when I recollected how likely a natural partiality was to effect that change of opinion. In such cases, affection rises like a light on the canvas, improves any favourable tints which it formerly exhibited, and throws its defects into the shade.
I remember that about the same time a friend started in to "heeze up my hope," like the "sportsman with his cutty gun," in the old song. He was bred a farmer, but a man of powerful understanding, natural good taste, and warm poetical feeling, perfectly competent to supply the wants of an imperfect or irregular education. He was a passionate admirer of field-sports, which we often pursued together.
As this friend happened to dine with me at Ashestiel one day, Itook the opportunity of reading to him the first canto of The Lady of the Lake, in order to ascertain the effect the poem was likely to produce upon a person who was but too favourable a representative of readers at large. It is of course to be supposed that I determined rather to guide my opinion by what my friend might appear to feel, than by what he might think fit to say. His reception of my recitation, or prelection, was rather singular. He placed his hand across his brow, and listened with great attention through the whole account of the stag-hunt, till the dogs threw themselves into the lake to follow their master, who embarks with Ellen Douglas. He then started up with a sudden exclamation, struck his hand on the table, and declared, in a voice of censure calculated for the occasion, that the dogs must have been totally ruined by being permitted to take the water after such a severe chase. I own I was much encouraged by the species of revery which had possessed so zealous a follower of the sports of the ancient Nimrod, who had been completely surprised out of all doubts of the reality of the tale. Another of his remarks gave me less pleasure. He detected the identity of the King with the wandering knight, Fitz-James, when he winds his bugle to summon his attendants. He was probably thinking of the lively, but somewhat licentious, old ballad, in which the denouement of a royal intrigue takes place as follows:
"He took a bugle frae his side, He blew both loud and shrill, And four and twenty belted knights Came skipping over the hill;Then he took out a little knife, Let a' his duddies fa', And he was the brawest gentleman That was amang them a'.
And we'll go no more a roving," etc.
This discovery, as Mr. Pepys says of the rent in his camlet cloak, was but a trifle, yet it troubled me; and I was at a good deal of pains to efface any marks by which I thought my secret could be traced before the conclusion, when I relied on it with the same hope of producing effect, with which the Irish post-boy is said to reserve a "trot for the avenue."I took uncommon pains to verify the accuracy of the local circumstances of this story. I recollect, in particular, that to ascertain whether I was telling a probable tale, I went into Perthshire, to see whether King James could actually have ridden from the banks of Loch Vennachar to Stirling Castle within the time supposed in the poem, and had the pleasure to satisfy myself that it was quite practicable.