第103章 THE NIGHT OF ESCAPE(2)
- The History and Practice of the Art of
- Henry Hunt Snelling
- 4933字
- 2016-03-03 17:19:06
Balbi replied that he and his companion would do anything possible to make their escape from that abominable prison, but his lack of resource made him add that he was convinced that nothing was possible.
"All that you have to do," wrote Casanova in answer, "is to break through the ceiling of my cell and get me out of this, then trust to me to get you out of the Piombi. If you are disposed to make the attempt, I will supply you with the means, and show you the way."It was a characteristically bold reply, revealing to us the utter gamester that he was in all things.
He knew that Balbi's cell was situated immediately under the leads, and he hoped that once in it he should be able readily to find a way through the roof. That cell of Balbi's communicated with a narrow corridor, no more than a shaft for light and air, which was immediately above Casanova's prison. And no sooner had Balbi written, consenting, than Casanova explained what was to do. Balbi must break through the wall of his cell into the little corridor, and there cut a round hole in the floor precisely as Casanova had done in his former cell - until nothing but a shell of ceiling remained - a shell that could be broken down by half a dozen blows when the moment to escape should have arrived.
To begin with, he ordered Balbi to purchase himself two or three dozen pictures of saints, with which to paper his walls, using as many as might be necessary for a screen to hide the hole he would be cutting.
When Balbi wrote that his walls were hung with pictures of saints, it became a question of conveying the spontoon to him. This was difficult, and the monk's fatuous suggestions merely served further to reveal his stupidity. Finally Casanova's wits found the way.
He bade Lorenzo buy him an in-folio edition of the Bible which had just been published, and it was into the spine of this enormous tome that he packed the precious spontoon, and thus conveyed it to Balbi, who immediately got to work.
This was at the commencement of October. On the 8th of that month Balbi wrote to Casanova that a whole night devoted to labour had resulted merely in the displacing of a single brick, which so discouraged the faint-hearted monk that he was for abandoning an attempt whose only result must be to increase in the future the rigour of their confinement.
Without hesitation, Casanova replied that he was assured of success - although he was far from having any grounds for any such assurance. He enjoined the monk to believe him, and to persevere, confident that as he advanced he would find progress easier. This proved, indeed, to be the case, for soon Balbi found the brickwork yielding so rapidly to his efforts that one morning, a week later, Casanova heard three light taps above his head - the preconcerted signal by which they were to assure themselves that their notions of the topography of the prison were correct.
All that day he heard Balbi at work immediately above him, and again on the morrow, when Balbi wrote that as the floor was of the thickness of only two boards, he counted upon completing the job on the next day, without piercing the ceiling.
But it would seem as if Fortune were intent upon making a mock of Casanova, luring him to heights of hope, merely to cast him down again into the depths of despair. Just as upon the eve of breaking out of his former cell mischance had thwarted him, so now, when again he deemed himself upon the very threshold of liberty, came mischance again to thwart him.
Early in the afternoon the sound of bolts being drawn outside froze his very blood and checked his breathing. Yet he had the presence of mind to give the double knock that was the agreed alarm signal, whereupon Balbi instantly desisted from his labours overhead.
Came Lorenzo with two archers, leading an ugly, lean little man of between forty and fifty years of age, shabbily dressed and wearing a round black wig, whom the tribunal had ordered should share Casanova's prison for the present. With apologies for leaving such a scoundrel in Casanova's company, Lorenzo departed, and the newcomer went down upon his knees, drew forth a chaplet, and began to tell his beads.
Casanova surveyed this intruder at once with disgust and despair.
Presently his disgust was increased when the fellow, whose name was Soradici, frankly avowed himself a spy in the service of the Council of Ten, a calling which he warmly defended from the contempt universally - but unjustly, according to himself - meted out to it.
He had been imprisoned for having failed in his duty on one occasion through succumbing to a bribe.
Conceive Casanova's frame of mind - his uncertainty as to how long this monster, as he calls him, might be left in his company, his curbed impatience to regain his liberty, and his consciousness of the horrible risk of discovery which delay entailed! He wrote to Balbi that night while the spy slept, and for the present their operations were suspended. But not for very long. Soon Casanova's wits resolved how to turn to account the weakness which he discovered in Soradici.
The spy was devout to the point of bigoted, credulous superstition.
He spent long hours in prayer, and he talked freely of his special devotion to the Blessed Virgin, and his ardent faith in miracles.
Casanova - the arch-humbug who had worked magic to delude the credulous - determined there and then to work a miracle for Soradici.
Assuming an inspired air, he solemnly informed the spy one morning that it had been revealed to him in a dream that Soradici's devotion to the Rosary was about to be rewarded; that an angel was to be sent from heaven to deliver him from prison, and that Casanova himself would accompany him in his flight.
If Soradici doubted, conviction was soon to follow. For Casanova foretold the very hour at which the angel would come to break into the prison, and at that hour precisely - Casanova having warned Balbi - the noise made by the angel overhead flung Soradici into an ecstasy of terror.